The costume vault

A couple of months later than usual due to this pandemic thing that has been messing with everyone's schedules, the nominations for this year's Academy Awards are finally out! And as is traditional in this blog, I'll do a quick recap of the nominees for Best Costume Design. Before we start, just a brief disclaimer. This is neither a review of the nominees nor an actual essay. These are just my most honest thoughts about the movies they nominated this year for Costume Design, two of which I haven't managed to see yet. I might change my mind about them later when I get around to seeing them. It happens sometimes, and that's ok. EMMA. Costume Design by Alexandra Byrne. I've said it before and I'll say it again, Autumn de Wilde's directorial debut adaptation of Jane Austen's novel is the best period film I've seen in a while. It's joyful, charming, romantic, sexy and mean, all rolled in one. It also happens to be the best adaptation of Emma ever...

This week I'll briefly expand on more of the recommendations I've been posting on social media so you'll be able to make a more informed decision when choosing your choice entertainment for the afternoon. This time I'll cover the recommendation I made from March 31st to April 9th. Recommendation for MARCH 31st It is hardly a secret to those who know me that I do not care for Jane Austen’s EMMA. It’s not open dislike, just simple indifference. Well, Autumn de Wilde’s new take of the story might have changed that to adoration. The film highlights the absurd, satiric, and comedic aspects of the story and the characters in a way that feels fresh. Not trying to make Emma likable might be its best bet and works wonders in making her seem three dimensional as a character, as well as having the ironic result of actually making me like her more. Here, the costume design plays a vital role in creating a highly plastic and artificial world to match the story’s ...