The dressmaker , despite its many flaws, is a fascinating movie to look at. And what makes it particularly interesting for me, is that it's a movie where the Costume Design happens to be what drives most of the visual narrative of the story. Last week I had a look at Tilly's costume (by Margot Wilson) and how these define her and her arc throughout the movie, but, no matter how impressive Tilly's wardrobe is, it's only one half of the picture. It's Marion Boyce's work on the townsfolk around our main character that completes this mesmerizing ensemble. Because of it, I feel it would be unfair to ignore this other half and therefore chose to divide this into two parts in order to better develop each of the sides. And so, without further ado, let's dive into the other half of this equation. DUNGATAR AND THE MAKEOVER FEVER Dungatar is a fictional run-down street of houses in the middle of the Australian outback that tries to disguise itself as a tow...
This is a blog dedicated to talk about costume design; influences, ideas... From Star Wars to Marie Antoinette and anything in between