The costume vault

We hope you lovely people are all doing fine in these trying times! I’m currently quarantined in my own home, out of a job, and bored out of my mind. So I have been sharing on all my social media my favorite Period Movies (and shows, sometimes) so you can at least feast your eyes on gorgeous Costume Designs until all this finally blows over. Here I'll briefly expand on those recommendations so you'll be able to make a more informed decision when choosing your choice entertainment for the afternoon! Recommendation for MARCH 21st Sofia Coppola’s MARIE ANTOINETTE is an impressionistic take on the character that focuses on the personal, not on the historical. The movie revolves around her personal experience, her feelings. It’s not concerned with action, but with emotion. Precisely because of this, it’s a rather fragmented and episodic narrative that meanders through the runtime as much as the character meandered through her own life. Here, the lush and amazing...

Despite all the political and religious backdrop, La Reine Margot is, after all, Margot's story. So who is Margot? Marguerite de Valois was the daughter of Henri II of France and Catherine de' Medici and became herself Queen of Navarre and France. Daughter of Kings and sister of Kings, she was never more than a pawn in the power plays of everyone else; being used by her mother, her brothers and later, her husband. She was always an unwilling and rebellious participant into everyone else's grand schemes and still, she tried and rebelled every way she could. This is actually one of her most important defining traits, both in the novel and the movie. So how is that reflected in the costume design? A FORCED MARRIAGE Margot's wedding dress is, undoubtedly, the most iconic gown in the whole movie; and it's the perfect dress in which to introduce our main character. This gown is designed as the perfect synthesis of the Catholic "style...

Too often we, as viewers, tend to forget the symbolic and iconic value of color and how it can create ideas only by being there. This is very relevant in paintings, but also, on film; through the set design, the cinematography and, of course, the costume design. The 1994's French adaptation of Alexandre Dumas' novel is a movie that uses that at it's fullest potential, creating a stunningly beautiful (and very well-orchestrated) spectacle of death. The movie, directed by Patrice Chéreau, is a tale of intrigue, murder and gore that centers around death itself, and so, the heavy crimsons of blood are a constant presence in the frame; from the sets to the props to the beautiful brocaded gowns. And it is color that takes center stage in the designs in order to clearly separate the two opposing factions in the narrative: Catholics and protestants. CATHOLICS The movie starts with a country divided into two factions that will eventually collide with horrifying co...