Skip to main content

A look into Star Wars: Padme's Dresses. Part II

Let’s continue with the thorough examination of the designs of Padme Amidala’s dresses. This second post in the series will be dedicated to the also terribly famous “senate” gown from “The Phantom Menace”. She wears this dress during her plea at the senate in Coruscant, and it has grown to become a terribly well-known gown.


This gown has several layers to it. The base layer is a bright orange silk dress, with a high collar decorated with ornate gold stitchwork and beads. Over this, she wears a dark red overdress with orange hems decorated with gold brocade. This overdress has big sleeves and its embroider with rosettes. Above this, she wears a dark and thick faux fur cloak with shoulder pads that make her look twice her size.


Although what really made this dress iconic, is the headdress that accompanied it. Amidala's hair was dressed in a wide arc centered by a golden headpiece with golden hairbands to keep her hair's shape. This arc was decorated with dangling orichalc suspensas capped with golden ornaments. The medal of the Royal Sovereign of Naboo served as the centerpiece of this hairstyle.

It’s a very interesting design but, as for its influences, well, let’s say that they are very easy to pinpoint. Basically, because it mainly takes its ideas from the traditional dresses of the Mongolian Royalty.

19th-century picture of a Mongolian Princess


It is very clear that they took the idea of Amidala’s hairpiece from the traditional Mongolian hairpiece. They are very similar.

The texture of the clothing is very similar as well. It uses heavy fabrics, which are also warm. And even the cloak she wears has some resemblance to the cloak the Mongolian princess wears. Both have this huge shoulder pads and look very heavy and regal.

During my research, I found this picture of the Mongolian Princess that is sent to marry the Emperor in Bertolucci’s “The Last emperor”. And, besides the obvious resemblance of the hairpiece, it also uses the same dress structure: first a dress and then an overdress with embroidered hems. It also uses the deep red coloration and adds some fur to the design.


But, on the other hand, the coloration and the richness of the gown is clearly from some other source. The Mongolian culture is traditionally poor and does not use such regal fabrics. That is probably taken from the Chinese royally. The deep reeds and golden embroideries were very used in China as we saw in the “Red Invasion” gown.

Chinese clothing (from a Zhang Ziyi movie)

I think they wanted to create homogeneity, throughout color, to the gowns of the queen. Of course that all her dresses aren’t red. She has so many that it would be a bore if each an every one of them was red. But the truth is that in the two most important public appearances of the character, she wears red, especially in Episode I. That was probably done, also, to accentuate the sense of regalness to the character.


But, as I said before, the most important element of the dress is the headpiece and hairstyle. It’s enormous and pretty odd looking. As I pointed out before, it is practically identical to those used in Mongolian culture. The main difference between the two hairstyles is the volume. If you look closer, the arcs of the Mongolian traditional dress are actually flat. Instead, Padme’s arcs are round, like a huge head roll.


In this picture, you can see, more or less, the back of the hairstyle. You can notice that it is completed with a ponytail or some sort of bun at the back of her head. I personally would have preferred if they had used all the hair for the head roll and had eliminated that ponytail. But I guess they wanted to have some correspondence with the “Red invasion” gown, and have the huge rolls at the front and keep some hair loose at the back.

Senate Gown makeup

Red invasion makeup

The final touch to the dress is the makeup. And as we can see, she has the same exact makeup that she has with the other gowns. This is because here, she appears as the Queen, and as we established, this makeup is exclusive to the role of the Queen of Naboo.

This dress takes, mainly, from only one single influence. Still, they manage to create a gown that is very interesting and it certainly achieves what it wants.

I’ll be back soon with another of her dresses! Happy 2014!!

To read A look into Star Wars: Padme's Dresses. Part III click here.

---------------------------------------------------------------------------------------------------------------

If you enjoyed this article and would like to support the blog, 
consider buying me a Coffee? 💛💛

If you want more content like this, subscribe! Or come say hi on FacebookTumblrTwitterInstagram and help us grow!

DISCLAIMER: I claim no credit for images featured on this site unless noted. Visual content is copyrighted to its respective owners, and inclusion here is under fair use for criticism, comment, and news reporting purposes. If you own the rights to content here and wish it removed, please contact me.

Comments

  1. Unfortunately the Senate Gown was actually culturally appropriated, not inspired, and whoever was in charge of wardrobe never properly credited the Mongolians.

    ReplyDelete
    Replies
    1. Get over it! It was a movie with beautiful costumes and sets. Geeesh every 'culture' borrows from the other....smh

      Delete
    2. "Mongolian culture is traditionally poor" that is actuslly quite offensive.

      Delete

Post a Comment

Popular posts from this blog

Burning Question: What's wrong with Belle's gown?

Since the first promotional pictures of Disney's new Live-Action remake of Beauty and the Beast hit the internet, there has been a lot of discussion around Belle's iconic ball gown. And, even months after its release in cinemas, there still continues to be a lot of buzz around it. Why? Mainly, because a lot of people feel that it is just doesn't look that good. The thing is, Belle's animated yellow ball gown is, at this point, an iconic staple of animated cinema. Everybody knows it and everybody loves it. And, as a result, everybody can see the new one and say "this is not the costume I know". Therefore, everyone can compare it down to the smallest detail and see that it just doesn't quite look right. Today, my goal will be to try and dissect the design in order to answer the burning question everyone has been asking themselves: what's so wrong with the "new" dress? Or, to put it bluntly, why is it so incredibly underwhelming?

A look into Star Wars: Padme's Dresses. Annex B

Love her or hate her, Padme and her costumes can never be far from our minds. They are too iconic, and probably one of the few memorable aspects of the prequels, so it's really fun to talk about them. And so, I've decided to continue what I started and focus on the costumes I left behind from Episode II . So let's dive back into it! A BRIEF REMINDER What are the Annexes? Well, the Annexes focus on all the costumes that were "left behind" in my selection of Padme Costumes for the A look into Star Wars: Padme's Dresses series. Here, I point out influences, likes, and dislikes, and anything that might feel relevant whilst digging into the gigantic wardrobe of this Galactic Queen. With this out of the way, let's go! ANNEX B: THE ATTACK OF THE CLONES Episode II: The Attack of the Clones brings the character and her designs to a completely different level; she is not a queen anymore, which unfortunately means that she no longer has amazingly weird an

Historic Accuracy in Costume Design: The 16th century

I've never been a purist with historical accuracy as long as the changes made have real reasoning behind (generally a narrative or symbolic one). I will always think that La reine Margot (1994) costume design is one of the most gorgeous and smart designs ever, even if said designs' main premise is to purposely bend the period in regards to costume. But there are certain things that bother me in regards to historical accuracy in costume which I realized when I found myself constantly irritated while watching The other Boleyn Girl (2008). This led me to post a question: when is it right to bend history? why is it interesting sometimes? whilst other times it's simply horrendous? To me, when these changes are made for the narrative's sake, I'm usually on board (like the 2012's "Anna Karenina" designs, which mixed the 1870's fashion with 1950's fashion in order to enhance the sense of theatricality and falsehood in Imperial Russia). But wh

Disney's Cinderella(s) and the evolution of the "princess" aesthetics

Every girl, at some point in life, has wanted to be a princess. It has become undeniable that the concept of the "princess" is, for better or worst, inseparable from girlhood. We live in a "princesses" obsessed era, and we have for a long time now. And a lot has been said about it, with loud people yelling over the internet about the positive and negative aspects of it. So it was about time for me to join the yelling contest, I guess. If I'm going to talk about princesses, the logical place to go is to the Global Mogul Conglomerate that has led the trend and, in many ways, defined it: Disney. They have, undeniably, redefined the fairytale and have turned the term "princess" into a best selling Licensed Entertainment Character Merchandise. The thing is, even though princesses have been part of the fairy tale canon for a very long time, they didn't become the central figure until Walt Disney placed them there. In the tales that the G

Why Oh Why? Peaky Blinders and the mystery of Grace's Crappy Hair

There are many unanswered questions out there. Many, many mysteries that will never be unraveled. But amongst those, the one that keeps me up at night is why was Grace's hair so crappy during the first season of Peaky Blinders ? Don't get me wrong, I absolutely love Peaky Blinders . I'm human, believe it or not. I've watched all its five seasons (twice) and I'm impatiently waiting for its sixth season with bated breath. And I can vouch for it: it's a quality show. Good storytelling, good acting, great photography... and for the most part, great character design both in costume design and hair and makeup. That's why I'm still baffled by the decision of having Grace's character sporting what amounts to limp California Beach Waves for the whole of the first season.  Because, while it is true that the first season had a considerably lower budget than its following installments, a shitty approach to historical accuracy wasn't the general tone for the

Cleopatra or the Most Undeserved Oscar Win ever

There is a reason why I usually do not review movies from the "golden age" of Hollywood (which means any movie prior to the 1970s), and that is because back then they cared even less about historical accuracy in costuming than nowadays, which is saying a lot. Because of this, most of the "historical" movies generally ignored the period and just did whatever was fashionable at the time with a spice of the supposed period. This is something that usually makes me laugh, rather than angry, because it results in very funny outfits (peplums particularly created a lot of funny imaginary). And Cleopatra , 1963's epic about the Egyptian queen, was for most of my childhood one of those movies. I knew the costumes were not accurate, but they fascinated me anyways in their ridiculousness. That is until I heard that the movie had won an Academy Award for Best Achievement in Costume Design, the same year that " Il Gattopardo  was nominated for Best Costume Design. A

A look into Star Wars: Padme's Dresses. Annex C

It's been a while, but I always come back to her in the end. Padmé Amidala, from the Star Wars Prequels, is a Style Icon and my personal standout from the mess that Episode I to III ended up being. Because of it, I've decided it was time to finish what I started so long ago and finally address Episode III . It took me long enough.  So let's dive back into it for one last chance to love, hate, snark and bark at the astonishing monstrosity that is Padmé's Wardrobe! A BRIEF REMINDER What are the Annexes? Well, the Annexes focus on all the costumes that were "left behind" in my selection of Padme Costumes for the A look into Star Wars: Padme's Dresses series. Here, I point out influences, likes, and dislikes, and anything that might feel relevant whilst digging into the gigantic wardrobe of this Galactic Queen. With this out of the way, let's go! ANNEX C: REVENGE OF THE SITH Episode III: Revenge of the Sith brings the prequel trilogy to a close and, ve

Crimson Peak: Dressing Edith Cushing. The Butterfly

"Beautiful things are fragile" - Lucille Sharpe - Opposite Lucille stands our main character in the movie: Edith Cushing, a young and naive American with ambitions to become a writer. She meets and falls in love with a handsome and charming, but impoverished, English baronet: Sir Thomas Sharpe. They eventually marry and return to England, to the Sharpe's dilapidated mansion: Allerdale Hall. There they live with Thomas's sister: Lucille. The deadly apparitions that haunt the house will force Edith to slowly uncover the buried secrets of Crimson Peak. And so, Edith is to become a fragile butterfly caught in a moth's trap. PART II: THE BUTTERFLY Edith has considerably more frocks and gowns than Lucille does. It's only logical. Edith is our protagonist and, as such, has a bigger emotional arc throughout the movie, and she undergoes bigger changes. These are, in part, expressed through the costumes she wears and how these change throughout the mo

The FollowUP: Disney's Jasmine and the evolution of the "princess" aesthetics

Previously in this blog, I talked about how the aesthetics of the Disney Princess Brand have changed through the different iterations of Cinderella (read here ). Since then, Disney hasn't stopped rehashing and remaking its old animated classics. On the contrary, it has doubled down on this business model and its remakes have become more common, more widespread, and more successful. Since the 2015 remake of Cinderella , Disney has remade The Jungle Book (April 2016), Beauty and the Beast (March 2017), Dumbo (March 2019), Aladdin (May 2019), The Lion King (July 2019), Lady and the Tramp (November 2019), Mulan (scheduled for release July 2020) and Cruella (scheduled for release May 2021). Remakes for Snow White and the Seven Dwarfs , Pinocchio , The Little Mermaid , The Hunchback of Notre Dame, and Bambi are in development. Clearly, the live-action remake has become a staple of the brand and it cannot be ignored. Unfortunately. Seeing that this industry trend will not go any

Moulin Rouge and the art of Kitsch

The spring of 2001 saw the release of Moulin Rouge! unexpectedly shake the movie industry and the box office simultaneously. Despite the many awards, including 8 nominations at the Academy Awards, and the impressive box office numbers, the movie quickly became very polarizing for audiences. Love and hate seemed to be the only two possible reactions to the movie itself. But that should not come as a surprise. The film was directed by Baz Luhrman, who has consistently been, throughout his career, one of the most polarizing filmmakers of his generation. I still have to meet anyone who simply doesn't mind his movies (which include Romeo+Juliet , Australia and The Great Gatsby ); it's either absolute love or absolute loathing. There is no middle ground with him. And that's mainly because he himself doesn't compromise when it comes to his style, which is so characteristic at this point (fast and frantic editing, vivid use of flashy colors and sparkle and stories a