Skip to main content

A look into Star Wars: Padme's dresses. Part X

The last design from Episode II which I am going to be covering is the wedding gown, which happens to be the literal last outfit worn by the character in the movie.


She wears this dress in the final scene of Episode II, during her wedding with Anakin. It's a brief scene, but somehow people really remember this gown.

The design consists of an intricate gown made of lace and beads that goes with a lace veil. The gown is long and flowing, and has a small tail. The white fabric is decorated with an off-white delicate embroidery. The sleeves reach her elbows and are hemmed with scalloped lace. The entire gown is studded with pearls.


This gown takes from various historical sources, most of them pertaining to the early 20th century. The basic ones with which it works are Edwardian fashion (1901-1911) and the 1920's.

The basic structure, with the gown and the laced overdress, is clearly taken from late Edwardian fashion.


These dresses (dated 1912) are quite similar to Padme's gown. The overdress is almost identical, with both having half-length sleeves and a loose flowing feel to it.


Perhaps the biggest and central difference is in the basic shape of the base gown. The 1910's gowns were looser and less fitting to the figure. So really, the shape itself is taken from the contemporary fashion for bridal dresses.


It's like they went for a modernized take of a 1912's gown, changing the wide tube shape for a more fitting form that would emphasize Portman's figure.

But the materials used for the design are, again, based on Edwardian fashion. Embroidered laces with embroidery are very common in the early 20th-century fashion.

Irish Tambour Lace Circa 1880-1910
French Battenberg lace wedding gown, c.1900

But what stuck in my head for years after seeing the movie was actually the headdress itself.


The laced veil is held into the headpiece by a band decorated with swirl embroidered beads and jewelry reminiscent of little leaves. She wears her hair down, soft waves cascading down her back.

This is clearly based on the 1920's fashion. There's really no debating on that. It basically takes from the idea of the "Juliet's cap" which was wildly popular during the '20s.


The Juliet cap is a small openwork crocheted or mesh cap, often decorated with pearls, beads or jewels. It was popularized in the 1920's first as a headpiece worn with evening gowns, and would eventually seep into bridal wear (used until the late 1930s).

1920's wedding picture
King George VI's wedding (1923)

I always thought it was a risky choice at best. The Juliet cap wedding veil is a very dated fashion and a very identifiable one at that. And whenever I saw it, it completely sucked me out of the Star Wars universe. It feels too grounded in reality.

But I guess that the audience who can clearly identify the style as 1920s is a really minor one. So I can understand why they used it, after all, most people don't even think about it.


All in all, the design is a very modern one. They were trying to give her a romantic air, and it definitely shows. Still, despite being a gorgeous dress, there's nothing in it that makes it look like it belongs in Star Wars. You could marry in that dress and nobody would bat an eye.

And that, to me, is problematic. True, they are married in secret, and therefore this dress should reflect a certain private side of the character (she shouldn't marry in queenly robes, that much is certain), but it still should have a coherence with the universe it belongs in.

It's not detached enough from our reality. It's, literally, a 1912's dress with some 1920s slightly modified for 2000's sensibilities of beauty.

This is a recurrent thing in the prequels and it's something I'll always disagree with.

To see full scale:
https://www.pinterest.com/alba0531/a-look-into-star-wars-padmes-dresses/

And so, with this design, I will wrap up the Padme series in regards to Episode II. But there is still one more prequel to go through! Next January I will resume the Padme series with the designs for Episode III. I still haven't decided which ones I will do or how many will I do, so I'm open to requests. If there is a specific design from Revenge of the Sith that you'd want me to do, please tell me.

Also, I will be working during the Christmas hiatus, and I won't be able to post much until January. So this is probably the last full-length article I'll be able to post until late January. Still, I'll try to post brief articles from the Force Awakens series as regularly as I can.

Merry Christmas to you all!!!


To read 
A look into Star Wars: Padme's Dresses. Part XI click here.

---------------------------------------------------------------------------------------------------------------

If you enjoyed this article and would like to support the blog, 
consider buying me a Coffee? 💛💛

If you want more content like this, subscribe! Or come say hi on FacebookTumblrTwitterInstagram and help us grow!

DISCLAIMER: I claim no credit for images featured on this site unless noted. Visual content is copyrighted to its respective owners, and inclusion here is under fair use for criticism, comment, and news reporting purposes. If you own the rights to content here and wish it removed, please contact me.

Comments

  1. Back when I was a Star Wars fan, I really took a disliking to this dress because of its "normalcy." Her halter lake dress would have been more appropriate for a wedding dress, IMO.

    ReplyDelete
  2. Just read your blog. Good one. I liked it. Very efficiently written information. Would you like to get more information about evening dresses, So Click on this link. evening dresses in Sydney

    ReplyDelete

Post a Comment

Popular posts from this blog

Burning Question: What's wrong with Belle's gown?

Since the first promotional pictures of Disney's new Live-Action remake of Beauty and the Beast hit the internet, there has been a lot of discussion around Belle's iconic ball gown. And, even months after its release in cinemas, there still continues to be a lot of buzz around it. Why? Mainly, because a lot of people feel that it is just doesn't look that good. The thing is, Belle's animated yellow ball gown is, at this point, an iconic staple of animated cinema. Everybody knows it and everybody loves it. And, as a result, everybody can see the new one and say "this is not the costume I know". Therefore, everyone can compare it down to the smallest detail and see that it just doesn't quite look right. Today, my goal will be to try and dissect the design in order to answer the burning question everyone has been asking themselves: what's so wrong with the "new" dress? Or, to put it bluntly, why is it so incredibly underwhelming? ...

A look into Star Wars: Padme's Dresses. Annex B

Love her or hate her, Padme and her costumes can never be far from our minds. They are too iconic, and probably one of the few memorable aspects of the prequels, so it's really fun to talk about them. And so, I've decided to continue what I started and focus on the costumes I left behind from Episode II . So let's dive back into it! A BRIEF REMINDER What are the Annexes? Well, the Annexes focus on all the costumes that were "left behind" in my selection of Padme Costumes for the A look into Star Wars: Padme's Dresses series. Here, I point out influences, likes, and dislikes, and anything that might feel relevant whilst digging into the gigantic wardrobe of this Galactic Queen. With this out of the way, let's go! ANNEX B: THE ATTACK OF THE CLONES Episode II: The Attack of the Clones brings the character and her designs to a completely different level; she is not a queen anymore, which unfortunately means that she no longer has amazingly weird an...

Historic Accuracy in Costume Design: The 16th century

I've never been a purist with historical accuracy as long as the changes made have real reasoning behind (generally a narrative or symbolic one). I will always think that La reine Margot (1994) costume design is one of the most gorgeous and smart designs ever, even if said designs' main premise is to purposely bend the period in regards to costume. But there are certain things that bother me in regards to historical accuracy in costume which I realized when I found myself constantly irritated while watching The other Boleyn Girl (2008). This led me to post a question: when is it right to bend history? why is it interesting sometimes? whilst other times it's simply horrendous? To me, when these changes are made for the narrative's sake, I'm usually on board (like the 2012's "Anna Karenina" designs, which mixed the 1870's fashion with 1950's fashion in order to enhance the sense of theatricality and falsehood in Imperial Russia). But wh...

Disney's Cinderella(s) and the evolution of the "princess" aesthetics

Every girl, at some point in life, has wanted to be a princess. It has become undeniable that the concept of the "princess" is, for better or worst, inseparable from girlhood. We live in a "princesses" obsessed era, and we have for a long time now. And a lot has been said about it, with loud people yelling over the internet about the positive and negative aspects of it. So it was about time for me to join the yelling contest, I guess. If I'm going to talk about princesses, the logical place to go is to the Global Mogul Conglomerate that has led the trend and, in many ways, defined it: Disney. They have, undeniably, redefined the fairytale and have turned the term "princess" into a best selling Licensed Entertainment Character Merchandise. The thing is, even though princesses have been part of the fairy tale canon for a very long time, they didn't become the central figure until Walt Disney placed them there. In the tales that the G...

Why Oh Why? Peaky Blinders and the mystery of Grace's Crappy Hair

There are many unanswered questions out there. Many, many mysteries that will never be unraveled. But amongst those, the one that keeps me up at night is why was Grace's hair so crappy during the first season of Peaky Blinders ? Don't get me wrong, I absolutely love Peaky Blinders . I'm human, believe it or not. I've watched all its five seasons (twice) and I'm impatiently waiting for its sixth season with bated breath. And I can vouch for it: it's a quality show. Good storytelling, good acting, great photography... and for the most part, great character design both in costume design and hair and makeup. That's why I'm still baffled by the decision of having Grace's character sporting what amounts to limp California Beach Waves for the whole of the first season.  Because, while it is true that the first season had a considerably lower budget than its following installments, a shitty approach to historical accuracy wasn't the general tone for the ...

Cleopatra or the Most Undeserved Oscar Win ever

There is a reason why I usually do not review movies from the "golden age" of Hollywood (which means any movie prior to the 1970s), and that is because back then they cared even less about historical accuracy in costuming than nowadays, which is saying a lot. Because of this, most of the "historical" movies generally ignored the period and just did whatever was fashionable at the time with a spice of the supposed period. This is something that usually makes me laugh, rather than angry, because it results in very funny outfits (peplums particularly created a lot of funny imaginary). And Cleopatra , 1963's epic about the Egyptian queen, was for most of my childhood one of those movies. I knew the costumes were not accurate, but they fascinated me anyways in their ridiculousness. That is until I heard that the movie had won an Academy Award for Best Achievement in Costume Design, the same year that " Il Gattopardo  was nominated for Best Costume Design. A...

A look into Star Wars: Padme's Dresses. Annex C

It's been a while, but I always come back to her in the end. Padmé Amidala, from the Star Wars Prequels, is a Style Icon and my personal standout from the mess that Episode I to III ended up being. Because of it, I've decided it was time to finish what I started so long ago and finally address Episode III . It took me long enough.  So let's dive back into it for one last chance to love, hate, snark and bark at the astonishing monstrosity that is Padmé's Wardrobe! A BRIEF REMINDER What are the Annexes? Well, the Annexes focus on all the costumes that were "left behind" in my selection of Padme Costumes for the A look into Star Wars: Padme's Dresses series. Here, I point out influences, likes, and dislikes, and anything that might feel relevant whilst digging into the gigantic wardrobe of this Galactic Queen. With this out of the way, let's go! ANNEX C: REVENGE OF THE SITH Episode III: Revenge of the Sith brings the prequel trilogy to a close and, ve...

Crimson Peak: Dressing Edith Cushing. The Butterfly

"Beautiful things are fragile" - Lucille Sharpe - Opposite Lucille stands our main character in the movie: Edith Cushing, a young and naive American with ambitions to become a writer. She meets and falls in love with a handsome and charming, but impoverished, English baronet: Sir Thomas Sharpe. They eventually marry and return to England, to the Sharpe's dilapidated mansion: Allerdale Hall. There they live with Thomas's sister: Lucille. The deadly apparitions that haunt the house will force Edith to slowly uncover the buried secrets of Crimson Peak. And so, Edith is to become a fragile butterfly caught in a moth's trap. PART II: THE BUTTERFLY Edith has considerably more frocks and gowns than Lucille does. It's only logical. Edith is our protagonist and, as such, has a bigger emotional arc throughout the movie, and she undergoes bigger changes. These are, in part, expressed through the costumes she wears and how these change throughout the mo...

The FollowUP: Disney's Jasmine and the evolution of the "princess" aesthetics

Previously in this blog, I talked about how the aesthetics of the Disney Princess Brand have changed through the different iterations of Cinderella (read here ). Since then, Disney hasn't stopped rehashing and remaking its old animated classics. On the contrary, it has doubled down on this business model and its remakes have become more common, more widespread, and more successful. Since the 2015 remake of Cinderella , Disney has remade The Jungle Book (April 2016), Beauty and the Beast (March 2017), Dumbo (March 2019), Aladdin (May 2019), The Lion King (July 2019), Lady and the Tramp (November 2019), Mulan (scheduled for release July 2020) and Cruella (scheduled for release May 2021). Remakes for Snow White and the Seven Dwarfs , Pinocchio , The Little Mermaid , The Hunchback of Notre Dame, and Bambi are in development. Clearly, the live-action remake has become a staple of the brand and it cannot be ignored. Unfortunately. Seeing that this industry trend will not go any...

Moulin Rouge and the art of Kitsch

The spring of 2001 saw the release of Moulin Rouge! unexpectedly shake the movie industry and the box office simultaneously. Despite the many awards, including 8 nominations at the Academy Awards, and the impressive box office numbers, the movie quickly became very polarizing for audiences. Love and hate seemed to be the only two possible reactions to the movie itself. But that should not come as a surprise. The film was directed by Baz Luhrman, who has consistently been, throughout his career, one of the most polarizing filmmakers of his generation. I still have to meet anyone who simply doesn't mind his movies (which include Romeo+Juliet , Australia and The Great Gatsby ); it's either absolute love or absolute loathing. There is no middle ground with him. And that's mainly because he himself doesn't compromise when it comes to his style, which is so characteristic at this point (fast and frantic editing, vivid use of flashy colors and sparkle and stories a...